THE 10TH VICTIM - 1965
Compagnia Cinematografica Champion / Les Films Concordia / Anchor
Bay Entertainment
Rated: USA: N/A |
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Italian. What images come to mind? What are Italians famous for? That’s right:
science fiction! Okay, maybe famous isn’t the right word. The phrase
“Italian science fiction” is a jarring juxtaposition, isn’t
it? And maybe you’re thinking, “If they do science fiction like
they do westerns…” (Yes, your thought
actually trailed off into ellipsis like that).
LA DECIMA VITTIMA, better known as THE
10TH VICTIM, was made in 1965 and directed by Elio Petri
and written by the committee of Mr. Petri, Ennio Flaiano, Ernesto Gastaldi
(ATOMIC CYBORGS, DEMONS OF THE DEAD, HUMAN COBRAS),
Tonino Guerra (Andy Warhol’s FRANKENSTEIN)
and Giorgio Salvioni. The movie is based on “The Seventh Victim”
by Robert Sheckley.
The story opens with gunfire in New York City. An armed man is chasing a young woman
down the street in broad daylight, shooting at her. Even for New York
that should be unusual but a cop watching the situation merely asks, “What’s
going on here?” The man explains that he is a hunter and shows his
ID and the cop is satisfied. The chase continues.
The girl being chased is Caroline Meredith (Ursula Andress:
DR. NO, SLAVE OF THE CANNIBAL GOD, CLASH OF THE TITANS) and she
doesn’t seem especially afraid of the hunter (George
Wang). In fact she taunts and laughs at him.
Intercut with this bizarre chase are segments of an intense man explaining “The
Big Hunt” to a hip crowd. This legalized murder provides an all important
outlet for man’s aggressions. Those with violent tendencies sign
up for the hunt where the idea is to participate ten times as a hunter
and ten times a victim (who tries to kill their hunter). If you survive the whole process you win one million dollars
(pause for Dr. Evil flashback).
Caroline is chased into what turns out to be a private club. A masked stripper
comes on stage and the hunter decides to take a break. Bad move because
the mask comes off and the stripper is Caroline. She dispatches the hunter
with a double-barreled bra gun.
Now I know, something that just plain silly should ear mark this flick for negative
shriek girl territory, but bear with me.
Caroline is approached by the Ming Tea company. They know she is about to kill
her tenth victim (a rare event – few people
make it all the way through the game) and want her to do it on
TV during a Ming tea commercial.
We cut to
Rome where a snooty horse show is taking place. A young man in a German
uniform is preparing to ride and the paranoid look in his eye is enough
to tell us that he’s also participating in the Big Hunt. When someone
comes to talk to him the German pulls a gun but the other man casually
pushes it aside, saying, “I’m not in the Hunt.”
Someone who is in the Hunt takes out the cautious German moments later. This is
Marcello (Marcello Mastroianni: IL FANTASMA, DOUBLE MURDER), the real central character of the movie. Marcello is a
doing pretty well in the game and has become a minor celebrity. That’s
not doing much to help his finances, however, because his estranged wife
manages to collect his prize money for his latest kill before he can.
Things aren’t going so well and they’re gonna get worse because
it just so happens he is chosen to be Caroline’s 10th victim.
This is a pretty silly movie. I’d even go so far as to call it wacky. Some
of the scenes are genuinely funny, like when a hunter and victim’s
running gun battle crosses into a restaurant and an angry waiter tosses
them out, saying, “You can’t shoot here!” The hunter complains,
“You can’t shoot in hospitals, you can’t shoot in orphanages,
you can’t shoot anywhere anymore!”
But even
though there’s lots of unintentional humor I still think of this
as a smart movie. There are a lot of nice touches and little futuristic
concepts and the utter callousness of people to legalized murder is well
played.
The place where this movie really loses points is the ending, where the developing
romance between Caroline and Marcello (as she tries
to maneuver him to the right location to kill him on camera) is
used as an excuse for a steadily more ridiculous series of plot twists.
Factoring in all of the above, I give THE
10TH VICTIM a three on the shriek girl scale.
By the way,
the DVD gives you the option of dubbed English or Italian with English
sub-titles. I recommend the later here and always, because the emotion
and intent comes across so much better if you hear the actor’s actual
voice.
This review
copyright 2000 E.C.McMullen Jr.
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