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Movies Kelly Parks Review by
Kelly Parks
Death Machine
SHOULD YOU?
TIP JAR
DEATH MACHINE
STREAMING MOVIE
DEATH MACHINE - 1994
USA Release: Nov. 14, 1995
Trimark
Rated: USA: R

Truck stop carnage. Burning vehicles and bloody corpses litter the parking lot of a nondescript diner. A heavily armored SWAT team cautiously explores the ruins. Inside a men's room they find a bizarre cyborg-soldier repeatedly punching a wall as though stuck in a loop. The sole surviving waitress cowers beside a smashed urinal.

Good opening! I get so tired of that ten minute meet-the-characters exposition-o-rama that most movies use. Show, don't tell.

Thus begins DEATH MACHINE, written and directed by Stephen Norrington (BLADE, GHOST RIDER). Mr. Norrington is also known for the creature effects from ALIEN 3 (an unfortunately under rated movie).

The above mentioned SWAT team is lead by the heavily bearded John Carpenter (William Hootkins: FLASH GORDON, RAIDERS OF THE LOST ARK, BATMAN, THE ISLAND OF DR. MOREAU, THE OMEGA CODE, THE BREED), who turns out to be a big executive at a standard movie issue Evil Corporation called CHAANK. They manufacture weapons and their slogan is "Hard tech for a hard world."

Cut to a news broadcast where the waitress (Jackie Sawiris: EYES WIDE SHUT) is being interviewed. The anchor tells us that the public is enraged and terrified by CHAANK's human experiments. New chief executive Hayden Cale (Ely Pouget: THE LAWNMOWER MAN 2) is shown arriving at the CHAANK building where the cops are barely holding back an angry mob. One of the demonstrators manages to get close enough to Miss Cale to deliver a punch in the mouth.

Cale is met at the door by standard movie issue evil corporation greedy asshole chief executive Scott Ridley (Richard Brake: SUBTERFUGE). Ridley tells the protesters that if it wasn't for companies like CHAANK they'd all be speaking Russian.

Cale, Ridley and Carpenter (along with a bunch of seat-filling non-speaking extras) have a board meeting to discuss the situation. Cale is of the opinion that they need to make a full disclosure to the government and the public about the Hard Man project (the cyborg in the diner at the beginning of the movie being the latest example). Everyone is reluctant to do that since it involved brain-wiping combat veterans.

The brave Miss Cale is also intent on firing CHAANK's resident evil genius, a scientist named Jack Dante (Brad Dourif*: EYES OF LAURA MARS, CHILD'S PLAY, DUNE, THE EXORCIST III, BLUE VELVET, ALIEN RESURRECTION, THE PROPHECY 3, THE LORD OF THE RINGS: The Two Towers). Dante turns out to be much worse than an evil genius. He's psychotic and sexually sadistic and has a great sense of humor about the whole thing.

*
For more on Brad Dourif, whose career began with the classic
ONE FLEW OVER THE CUCKOO'S NEST,
in a role that earned him an Academy Award nomination,
Golden Globe Award, and a
British Academy Award,
go to Brad Dourif's Twitter
DOURIF!

1.

FeoNote: Command line in Unix or DOS/MS-DOS was common for the majority of corporate computers at this movie's release in 1994. MS-DOS based Windows 3.1 (released in 1992) with a Graphical User Interface (GUI) was bug ridden, crash prone, and most major companies stayed with Unix or DOS. In fact, to garner market share, 3.1 could easily switch to DOS and allowed for most programs to run command line.

MS-DOS based Windows NT 3.1 was released in 1993 but it was also bug ridden, slow, and all problems had to be solved via Command Line in DOS. For large corporations in particular, NT 3.1 also didn't support distributed storage architecture and wouldn't until the release of Windows 2000.

James Cameron's endless frustrating problems with Windows NT is what made his entire cgi SFX team turn to command line Unix and Linux in 1997 for the movie TITANIC.

Relatively stable windows didn't emerge until the MS-DOS based Windows 95, released in August 24, 1995 and the market tip into wider corporate adoption of GUI didn't happen until 1999, just after the release of MS-DOS based Windows 1998.

Cale has a long list of reasons to want him fired but becomes hesitant when she realizes that the other executives are terrified of this guy (mostly because the executive Cale is there to replace recently met a grisly death) and because Dante reveals that he knows everything about her including her bank balance and home address. This guy is not getting invited to the company picnic.

After some clever computer manipulations (using the most antique, text only computers you've seen in years - an odd choice.1) Cale manages to delete Dante's computer privileges thereby effectively firing him. Dante proceeds to give new meaning to the term "disgruntled ex-employee" and unleashes his latest robotic warrior, the Death Machine. By an odd coincidence a group of eco-terrorists choose that moment to invade the building with the intention of blowing up CHAANK's labs and stopping the evil experiments once and for all.

This is a pretty cool story and Brad Dourif's over the top mad scientist is especially fun but there are a few glaringly obvious questions that never get answered.

First, where the hell is security? A huge company like this always has a squad or two of rent-a-cops. It would be their job, not a board member like Cale's, to escort a recently downsized individual like Dante off the property.

Second, when they're being chased through the halls by the bad robot, why doesn't it cross anyone's mind to call 911? Even if the building's phone system was knocked out by the terrorists or Dante or impure thoughts, these people are executives! Where are their cell phones? (in 1994? You mean the shoebox bricks with long antennas and the 50 yard range that couldn't penetrate drywall? -Feo)

Speaking of technology, it's time for a

!!!SCIENCE MOMENT!!!:
The tech concepts here are actually very realistic. AI technology is advancing much faster than most people realize. There are robot servants in your immediate future and of course if you can build such things. It's natural for some to wonder how well they'd do on the battle field. Human soldiers will be obsolete in a few decades. That's not necessarily a bad thing as long as someone remembers to program them with Asimov's laws of robotics.*

*Asimov's Three Laws of Robotics would effectively render Robot soldiers useless.
- Feo

Death Machine and Jack

The halls of the building show the strong ALIEN influence brought by the director. It looks more like a space ship than an executive suite. Perhaps Mr. Norrington has never been invited to the top floor. The bulk of the movie is a lot of desperate chases through corridors and air vents as the robot monster closes in on its targets, things we've all seen before.

On the bright side there are a lot of interesting twists and a fair amount of humor, both from Brad Dourif's psycho-scientist character and from the robot itself as it puzzles over the activities of its human prey. There's also lots of movie references for those who like to spot them, although at times they are so obvious as to threaten your suspension of disbelief.

I give DEATH MACHINE three shriek girls.

Shriek GirlsShriek GirlsShriek Girls
This review copyright 2001 E.C.McMullen Jr.

Death Machine (1994) on IMDb
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